I desperately needed these as each show I worked on ran for about two hours. Moving to Resolve was a dream, as I had better color controls. For 20 years, I edited theater and stage productions, making heavy use of multicam tools found in FCPX. Not only am I the Tech Editor at NFS, but I'm also a film editor. Support for rendering animated GIF clips.New vertical resolution timelines and projects default to full frame with crop.Sign in and upload videos directly to TikTok from DaVinci Resolve.Support for Blackmagic Cloud Presentations.Up to 1.5x faster Lens Blur and Aperture Diffraction on Nvidia systems.Up to 2x faster Beauty, Water Color, and Stylize on Nvidia systems.Ability to swap in and out colorspaces in Resolve FX Color Transform. ![]() Color space and gamma options are now organized by vendor.Support for Leica L Log color management.Up to 2x faster spatial noise reduction in Apple silicon.Generated LUTs now include spatial Resolve FX DCTL effects.Ability to manage missing LUTs from the LUT manager.Support for matte finesse post-filter controls in Magic Mask.Up to 3x faster renders when using the Fusion splitter tool.GPU accelerated Clean Plate and Anaglyph.Support for a native AI-based depth map tool in Studio.Support for USD Hydra-based renderers, including Storm.Introduction of the USD toolset for managing USD assets.Import and export timelines using the OpenTimelineIO format.AI-based Resolve FX Relight to add virtual lighting in Studio.Support for AI-based audio classification in Studio.Check out the full release if you'd like to get the full rundown.īut we've parsed through the massive list of updates to give you some of our favorites that we plan on using on a day-to-day basis. The release notes are massive, with over 150 updates to DaVinci Resolve. The Export Edit Index action is now part of the edit index options.The timecode display window now shows timecode entry previews.Improved text wrapping for caption previews in the subtitle inspector. ![]()
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